CreativeHeart Cinema Podcast

The Man in the Hallway: A Prisoner's Final Truth

Natalie Amey Season 1 Episode 9

A journalist. A dying confession. A presence that never left.

When Daniel Hayes, a former investigative journalist, is hired to ghostwrite the memoir of a convicted serial killer, he expects a story filled with lies, manipulation, and regret. What he doesn’t expect… is fear.

Richard Ellis isn’t seeking redemption—he’s terrified. He claims he never killed alone. That something else was there. A shadowed figure. A presence he calls The Man in the Hallway.

As Daniel digs deeper, the lines between reality and nightmare begin to blur. Footsteps in empty spaces. A whisper when no one is there. A door that unlocks on its own.

And when Daniel finally sees the truth—it’s already too late.

🔦 Themes: Spiritual warfare, deception, and confronting fear.
📖 Faith Connection:
"For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world." — Ephesians 6:12

Turn down the lights. Take a breath. And step into the story.

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Natalie Amey (00:00)

Not every haunting comes from the past. Some linger in the present, some follow you through time, waiting for the moment you finally turn around and see them. And when you do, you realize they've been there all along. Welcome to Creative Heart Cinema. I'm Natalie Amy, your host and storyteller. Here we bring faith and fiction together to reveal deeper truths. And stay with me until the end because this story really doesn't end the way you think. A journalist, a dying man,

A confession that changes everything. But the deeper the story goes, the more one thing becomes clear. This isn't just a story. Something waits in the spaces between the empty rooms, the long dark hallways. It calls, it watches, it waits. And the only question left is, when will it step inside? Turn the lights down, take a breath, and step into the story.

The air inside the prison infirmary was stale, stale and cold, like death had already made itself at home. A metal chair scraped against the concrete floor as Daniel Hayes, former journalist, took his seat across from the man he had come to see, Richard Ellis, convicted serial killer, dying. Daniel had interviewed killers before, cold, remorseless men who had perfected the art of lying. But Ellis was different. There was something in his eyes, not

Arrogance, not pride. Fear. leaned forward, wrists shackled to the table, fingers trembling as if holding onto some unseen weight. His breath rattled in his chest. I don't do it alone. Daniel exhaled slowly, flipping open his notebook. The same plane, over and over again. Anacoblus. Alice shook his head, his mouth twitched, the corners trembling as if he were about to weep, but no tears came.

He swallowed hard, then his voice dropped lower, barely audible. He's here. Daniel stiffened. Prisons had a way of playing tricks on the mind. Echoes, distant voices, the weight of guilt pressing against the walls. But something about the way Ellis was staring past him, into the dimly lit hallway beyond the glass window. Something made Daniel turn. Ellis shuddered. He followed me here. He's

See, slow inhale. Think, hum of static builds crawling under the surface. Daniel didn't believe in ghosts or demons, but for the first time in his life, he wasn't sure. Daniel Hayes didn't believe in monsters, not the kind that lurked in shadows, whispering from the darkness. He believed in statistics, in broken childhoods and failed systems. He believed that men like Richard Ellis weren't born evil, they were made that way.

shaped by cruelty molded by neglect. And yet, the way Ellis had looked at him, the way his voice had trembled, Daniel exhaled, gripping the wheel tighter. It was all in the man's head. It had to be. He pulled into the parking lot of the motel. Cheap, unremarkable, the kind of place where no one asked questions. It suited him. His laptop sat in the passenger seat, a blinking cursor waiting for him to type the words. The confession of Richard Ellis.

But he didn't move. Instead, he sat there, staring at his reflection in the rearview mirror. Tired eyes. A face that had once held conviction. Now worn down by too many dead-end stories. He had walked away from faith years ago. Not in some dramatic act of rebellion, just slowly. A fading belief, like an old photograph left too long in the sun. People needed something to blame. The devil. A curse. The man in the hallway.

It was easier than admitting that sometimes evil was just human nature. Daniel flinched, heart-lurching. Daniel turned, rolling down the window. A woman stood outside, thin, wary, her arms wrapped tightly around herself. She hesitated, the vent and a voice barely above a whisper. Daniel has spent his career chasing stories, but something told him.

This wasn't the kind you walk away from. The woman's name was Mara Quinn, a former prison nurse, resigned three months ago, said she couldn't sleep, said she kept seeing things.

was there the night Ella started screaming. Wanna know what he was saying? You think I haven't heard it already? She exhaled, the smoke curling in the cold air. Not like this. A rustle. She pulls something out from her coat, a cassette tape. Small, old, worn edges. Daniel frowned. You expect me to believe? Just listen. A brief silence. Then, the click of the tape recorder being switched on. A distorted hum.

Then static, a warping sound of an old tape turning and a voice cuts through. No, he's here. He's in the hallway. Please, God, don't let him in. Don't. Daniel's pulse is spiked. He's here. Don't you see him? He's... Ahhhh! terrible sound cuts off the sentence. And the tape cuts to silence. He's swallowed hard. That could be anything. Prison paranoia, sleep deprivation. You ever seen a man that scared Hayes? Daniel had seen fear before, but not like that. Not the kind that makes a man beg for God.

What if Ellis wasn't being

Daniel sat at the small motel desk, the tape recorder beside him, unplayed, unacknowledged. He told himself he wasn't avoiding it, that he'd listen later, when he was ready. Instead, he stared at the blank document on his screen, a confession of Richard Ellis. It should have been easy, just another story, another depraved mind searching for absolution, but the words refused to come. Instead, his mind replayed Ellis' voice, the fear.

the way Mara's hands had trembled when she passed him the tape. Daniel ran a hand over his face, pressing his fingers against his temples. He was tired. That's all this was. He shut the laptop, stood up. Maybe a shower would clear his head. Dave purled against the mirror, blurring his reflection. He splashed cold water onto his face, letting it drip from his chin. Then, he heard it, a sound just before the bathroom door. Daniel stiffened, his breath caught in his chest.

It was just motel settling, old wood shifting. But then, his fingers curled around the edge of the sink. He turned off the water. Listen. Nothing. But the moment stretched too long. The kind of silence that didn't feel empty. He wiped his face and turned back toward the mirror. His reflection had fogged over, but Daniel exhaled sharply, rubbing a hand through his damp hair. This was ridiculous. He grabbed the door handle and yanked it open. Nothing.

Just the motel room. Just his laptop. Just the untouched tape recorder. The unsettled feeling didn't leave him. Daniels moved toward the desk. His hands hovered over the tape recorder. Then... Don't let him in. Daniels entire body locked. His pulse hammered against his ribs. He spun around. No one. Nothing. The heater rattled. The neon motel sign flickered. The wind howled against the window. It had been in his head. It had to be.

Daniel grabbed the recorder, shoved it into his bag. He wouldn't listen. Not tonight. Daniel didn't sleep. Not really. He drifted in and out. That strange, weightless state between dreams and waking. The room was too quiet. The kind of quiet that pressed against his eardrums, making him hyper-aware of every shift in the air. Then, at some point, he felt it. Not a sound. Not movement. Just... presence. Daniel's eyes snapped open. Footsteps. Not from a neighbor's room.

Not from outside. They were inside. Daniel held still, his body rigid beneath the thin motel blanket, his ears strained, his mind supplied a dozen rational explanations, the heater expanding, and all the buildings shifting, but deep down something colder settled in his gut. The motel door had one of those flimsy chain locks, useless. He hadn't even checked if the deadbolt was turned. The air inside the room changed, like pressure shifting before a storm.

The hairs on his arms stood on end. Then, Daniel's heart stopped. Three knocks. Not pounding. Not frantic. Just waiting. He swallowed hard. He was imagining this had to be. No one knocks on a motel door at 3.13 a.m. Daniel sat up. The room was pitch black. And in that blackness, he saw a shift. Not white movement, just an absence. A shape where nothing should be.

Something stood behind the blinds. Tall, thin, a shadow, except it didn't belong to anything. A whisper, low, crawling against the edge of his consciousness. Let me in. A sudden rush of static. Daniel scrambles for the bedside lamp, fumbling. Light flood the room. Nothing. Neon sign outside buzzed back to life. The shape was gone. No shadow.

No footsteps, no whisper. Just the empty hallway. It wasn't real. Whatever it was, it wasn't real. But the truth settled deeper in his bones. Something had been there. Something had knocked. And whatever it was, it was waiting. Early morning, the motel room is dim. Bathe in the cold, gray light of dawn. The neon sign outside still flickers, but now it feels less menacing. The heater hums slowly.

A coffee machine gurgles in the corner. Daniel didn't sleep. Not after that. Instead, he sat at the edge of the bed, watching the door, listening. Nothing happened. No more knocks, no more shadows. But that was worse. Because now, he had to decide.

He reached into his bag, fingers brushing against cold plastic. The cassette tape. He could leave, close the laptop and pack his things. Pretend none of this ever happened. That's what the old Daniel would have done. But something had followed him here. And if he walked away now, he wasn't sure it would stop. No, he's here. He's in the wrong way. Please, God, don't let him in. Don't. Daniel's defend.

It wasn't the words that made his stomach turn. It was something else, something hidden beneath the recording. A thorough, distorted sound cuts him off, a static warp, then a whisper, low, crawling under the surface of the recording. Daniel's breath hitched because he recognizes it.

Daniel jerked hopes hammering against his ribs. That voice, the same voice from his motel room. This was a paranoia. This wasn't just Ellis's fear. Something was real. And now, Daniel had proof. He wasn't just writing a book anymore. He was inside the story.

Daniel didn't move. The tape recorder sat on the nightstand. Still there, still off, but somehow it felt different now. The whisper at the end.

That wasn't real. needed air. He grabbed his bag and turned toward the door. And then...

Something was off. It was the air, thicker, pressing against him, like walking into a room where someone had just been standing, but they're already gone. Daniel's eyes flicked to the blinds. The light wasn't moving, not shifting as the sun rose, not changing at all, just frozen, like a photograph. Then the coffee machine shut off, not with a final gurgle, not with the usual click, just silent. Everything in the room.

Stop, Daniel turned toward the nightstand. The tape recorder was still there, but his laptop wasn't. The notebook he had left open on the table, gone. His bag, still in his hands, felt heavier, like something had been added to it. He unzipped it, felt inside. His fingers touched something pulled. Tape, identical to the one Mara gave him, except this one was labeled a single, scratched-in word.

Daniel pulse hammers his breath is slow control his mind races there's there was no way he didn't own another tape didn't put this in his bag and yet here it is waiting Daniel closed his fingers around the tape Daniel didn't want to listen didn't want to press play the second he saw his name scratched into the label he knew he had no choice he pressed play but then

his own voice. He's in the hallway. Don't let him in. Don't let him in. Don't let him in. Something shifting, like a body moving. His own voice changes. No longer a whisper. No longer his own. A lower register. A voice like something crawling under the skin of his throat. But you already did. Daniel ripped the recorder away from him. His hands were shaking. His pulse slammed in his ears. That wasn't real. That wasn't real.

Daniel turned toward the motel door. The lock was undone, the chain hanging loose. And underneath the door, a shadow stretched inside. Long, thin, waiting. Daniel didn't think. He grabbed his keys, his bag, his body moved on instinct. The hallway stretched before him, dim flickering lights overhead. Empty, the exhale, heart hammering, run, just run. Door after door blurred past him. Room 209, room 211, room 213.

reached the end of the hall, turned the corner, and slammed to a stop. was back at his room. The door to room 207, his door, still slightly open, still leading into the same motel room he had just fled. No, no. He turned again. Room 209, room 211, room 213, turned the corner, room 207, the door still open.

The light inside flickering, his own shadow stretched inside. Weeping, his mind didn't wrap around it. He had run. He had run. A voice crawled into his ears. Low, familiar.

Daniel spun, a flicker of movement, a tall, thin shape, just beyond the edges of sight. Not fully visible, not yet. The hallway tilted, warped. His vision blurred, bending at the edges. He took a step and the second his foot crossed the doorway, everything snapped to black. He's waking up. Daniel wakes. His head throbs.

His skin felt cold, heavy. For a second, he didn't move. The motel room. He should be in the motel room. But then he smelled it. Dust, old paper. The faintest trace of wood smoke. His eyes snapped open. Daniel was not in the motel. He was standing in a hallway. Not the motel hallway. Not anymore. The walls were faded blue. The paint chipped.

The carpet, old, patterned, familiar. His childhood home. This wasn't real, couldn't be. His mother had sold this house years ago. He hadn't been inside since. Since the night he stopped believing, Daniel turned slowly. The hallway stretched before him, dim, unnatural. His bedroom door stood at the end, slightly open, just like he remembered. A lump formed in his throat. He was dreaming, had to be.

He just needed to wake up.

He didn't turn around, didn't move, but he felt it. The weight of something standing there, watching, waiting. Go inside. Daniel swallowed. His body moved on its own. His feet took him forward. Toward the bedroom door, toward the dark space beyond. The air thickens, the walls seem closer. His footsteps are too quiet. The room ahead is too dark.

The whispers returned. Not just one voice now. Many. Distant. Too low to understand. They were waiting. Waiting for him to step inside. His fingers brushed the doorframe. And the second he did, a sudden rush of sound. A violent flicker of light. Something moves inside the room. A shadow. A shape. Called waiting. Daniel's breath hitched. For the first time, he could almost see it. The...

man in the hallway. the whispers stopped and in the darkness the voice that wasn't his own. You remember now.

Don't look.

His father was gone, and he had heard the footsteps, slow, measured, right outside his door. His small hands had clutched a blanket. The air had been raw, thick, heavy, the hallway too dark. And then eight-year-old Daniel hadn't answered, hadn't moved. He had squeezed his eyes shut, and then in the dark, a voice crawled into his ears. I see you. The memory rips away, back to the present.

Daniel staggers, his breath is sharp, panicked. It wasn't a dream. It wasn't a trick. He saw it as a child, and he had never told anyone. Now, it was... Daniel turned, and there, standing in the doorway, the man in the hallway waited. Tall, thin, not fully in the light, not fully in the dark. The shape, almost human, but not. And for the first time,

Daniel saw its fate and then a realization. It had always been there. Not just that night. Not just now. Always. Watching from the edges, the corners of rooms, the end of long hallways. It had waited for him. For the moment he would finally see Daniel exhales. But for the first time he speaks. I see you. The whispers stop. Silence crashes in.

The man in the hallway tilted his head. The moment stretched, and then it stepped backward into the dark. The light flickers too bright. The static hums like Daniel Blanks. Hallway is empty. The weight of his chest lifts. Not entirely, but enough. The motel room, the heater comes again. The morning light has returned, soft, golden. Daniel woke up back in his motel room. No hallway.

No childhood house, just the empty room. The unfinished book, the tape recorder silent beside him, a slow breath, the scrape of a chair as he sits forward. It was still out there. He knew that now, but it had been waiting for something. And now he knew its name. The sound of a pen clicking, a notebook being opened, the scratching of words on a page. He wasn't running anymore. He was going to finish the book because the only way to stop the thing in the hallway

was to bring it into the light.

Fear thrives in the dark. It waits in places we refuse to look. The past we don't want to face. The truth we don't want to admit. And isn't that how the enemy works? Ephesians 6-12 reminds us,

against spiritual wickedness in high places. Darkness doesn't always come at us with red eyes and snarling teeth. Sometimes it lingers in the corners of our mind, in old wounds, in doubt, in fear that convince us to stay silent. Fear is deceptive. It doesn't just keep us from the truth. It convinces us we're powerless against it. Some people live in fear their whole lives.

Believing that if they ignore something long enough, it'll go away. That if they just keep moving, they'll never have to face it. But fear doesn't just sit still, it lingers, it follows, it whispers. And the only way to break free is to turn around, name it for what it is. And the moment you call it by name, it loses its grip. That's how the enemy works.

He wants us to believe we're powerless, that if we ignore him, he'll go away. But the moment we stand firm, the moment we call on God's truth and refuses to let fear rule us, evil steps back. Because it has no choice. Maybe you've felt something like this before. Maybe you've carried a fear, a wound, a past that whispers from the shadow. Maybe it's time to stop running.

Because when you stand in the light, when you name what's been trying to hold you back, it loses its power. God's truth is stronger, always has been, always will be. And the enemy? He's already been defeated. The question is, will you believe it? Let me know in the comments. Have you ever faced something that tried to keep you in fear?

Have you ever ignored something only to feel it followed you? Drop a comment or send me a message. I'd love to hear your thoughts. Thank you for spending time with me. And until next time, this is Creative Heart Cinema, where every story has a heartbeat and every truth has a home.